CORINALDO
Perched in a strategic location between the Marca of Ancona and the State of Urbino, the town of Corinaldo is symbolized by its impressive walls, which have remained almost intact since the 15th century. Visitors can walk the entire 912-meter-long circuit with a guided tour. The gates, bastions, defensive towers, the Ghibelline merlons, and the ramparts mark the landscape of this rare example of a fortified city, where modern signs like cars or power lines seem out of place. The town’s urban layout includes numerous noble palaces and significant civil and religious buildings. The first impact on visitors is the 15th-century Torre dello Sperone, 18 meters high and pentagonal in shape, attributed to the Sienese architect Francesco di Giorgio Martini, and restored several times. Among the towers, the Torre dello Scorticatore (where the walls reach 15 meters in height), the Torre del Mangano, and the Torre del Calcinaro stand out, named after the professions of their inhabitants. From the Rotonda, part of the Renaissance addition completed in 1490, continuing along the ramparts, one accesses the Landroni, a porticoed corridor resulting from the raising of 17th-century buildings along Via del Corso. From there, you return to the walls, which incorporate several imposing bastioned gates. The most interesting part of the town’s walls is perhaps the one at Porta S. Giovanni, as it preserves many elements of defense. The military architecture of the time is evident in this stretch, with its loopholes, gun embrasures, beccatelli (defensive holes for shooting), and merlons. The artistic development of the 17th and 18th centuries is mainly due to great figures like the painter Claudio Ridolfi, who lived and died in Corinaldo, and the organist Gaetano Antonio Callido, who left two exceptional pipe organs, one of which was donated to his daughter, a nun, in the spaces now occupied by the Civic Pinacoteca. Among the public buildings, notable ones include the Town Hall, a fine example of neoclassical architecture with a long loggia overlooking Via del Corso, the former Augustinian Convent, built in the late 18th century and now used as a hotel, the Municipal Theater (1861-69) named after Carlo Goldoni, and the House of the 14th Century, which houses the Pro Loco and is the oldest building in the town. The churches reveal the spirituality of the place, reinforced by its long association with the Papal States. The Collegiata of S. Francesco has ancient origins (1265) but presents itself in the forms of the 17th and especially the 18th-century reconstruction when the convent was built (1749) and the new church was elevated (1752-59). The Sanctuary of S. Maria Goretti, with the former monastery now serving as the Costume Hall and Municipal Library, incorporates the medieval church of S. Nicolò with 18th-century features. The interior is a beautiful example of late Baroque architecture and houses numerous works of art, including a large wooden choir loft that holds a magnificent Callido organ from 1767. The Church of the Suffrage, completed in 1640, was later demolished and rebuilt to be reopened for worship in 1779. It preserves the painting by Claudio Ridolfi, which was placed on the main altar on the day of its first inauguration, January 6, 1641.